MATADORA is a new work of Latine Futurism about an untamable creature and the blistering rage that can smother or unchain her: beast, or diosx? MATADORA confronts Latin American mythologies that make monsters of women’s suffering, and uses dance, physical theater, and visual culture to construct a new Latine archetype that refuses domestication.

Cerqua Rivera Dance Theatre’s Chicago Latinx/e Contemporary Movement Festival Concert features CRDT performing an excerpt of a new work by Omar Roman de Jesus alongside six artists/collectives: Anniela Huidobro Castro, Anise Fernández & Amanda Ramirez, Ruben Andrés Castillo Gomez, Mark Travis Rivera | The Professional Storyteller, Paula Sousa, and Victoria Villamil.

Welcome the newest class of musical theatre majors making their Columbia College debuts by putting their own shine on songs from the musical theatre canon and beyond!

MOMENTA Dance Company makes its Dance Center debut with the 15th Anniversary of CounterBalance. The 15th anniversary celebration includes the free Inclusive Creative Movement Workshop for all bodies, minds, and experience levels, the 15th Anniversary CounterBalance Inclusive Dance Concert curated by Sarah Najera featuring dance artists with and without disabilities, and the Emerging Artist Showcase co-curated by Ginger Lane and Maggie Bridger.

Bevara Anderson-Selkridge presents her first standalone BĀLA Dance Project concert in Chicago featuring her choreographic range from solos to duets, from small group pieces to large ensemble works and drawing upon her fluency in Umfundalai, House, Modern and Horton dance techniques and practices.

Revel in a sampler evening of original, brand new, short works by student choreographers selected from an open application process. Some artists are sharing pieces on the Dance Center’s stage for the first time, others offer works informed by their years immersed in the Dance Center’s pluralistic curriculum.

Each week’s distinct program features the culmination of eight dance majors’ journeys through the choreographic process: from creative impulse through auditions and rehearsals, outside eyes and design decisions, to presenting their choreographic projects for the first time on the concert stage.

Kiswahili for “gifts”, the ZAWADI culminating concerts of 2026 at the Dance Center feature choreographic offerings by guest choreographers Matumbe Himons, Nejla Yatkin, and Assistant Professor Dardi McGinley Gallivan set on students in the Repertory Performance Workshop course. Also on the program will be a new work choreographed by faculty members Darrell Jones and Lisa Gonzales.

A Dance Center commission, this world premiere by South Chicago Dance Theatre Founder and Director of Vision and Strategy Kia S. Smith is the fourth evening-length work by the 10-year-old company. Inspired by Smith’s Great Grandmother Josephine Griffin Jones, the new dance theater work explores how family histories and embodied knowledge can flower into artistic expression and the power of belief and hope to transform and vanquish, survive and thrive.

The fourth annual student produced, directed, choreographed and performed revue featuring Acting, Dance, Design, and Musical Theatre majors bringing their fresh take on musical theatre dance numbers

B-COMING, the 2027 B-Series Festival + Symposium, looks at the changing paths of street, club, and traditional dance forms through the lens of identity, memory, and shared global histories. B-COMING focuses on globalization and cultural exchange, exploring the powerful, in-between spaces where different traditions meet—and sometimes collide—at the crossroads of community and identity.

Michael Estanich and Lucy Vurusic Riner’s RE| dance group makes its Dance Center debut with two Chicago premieres by Artistic Director Michael Estanich. In keeping with RE|dance group’s signature style, both dance theater works merge movement, song and text, and complement and serve as foils for one another through divergent approaches in environment and tone.

IS/LAND makes its Dance Center debut with the Chicago premiere of Until We Fill the Ocean – an evening-length, interdisciplinary work blending sound, dance, and poetry to honor the detainees on San Francisco Bay’s Angel Island from 1910 through 1940.

This festival returns for its second year showcasing student run dance organizations open to all majors at Columbia College Chicago.

Red Clay Dance Company returns to the Dance Center as part of its 18th season. Founded by Vershawn Sanders-Ward (BFA ’02), Red Clay Dance Company has become a leading force in contemporary dance rooted in African Diasporic traditions.

The Dance Center embraces spring’s energetic lift with original, brand new, short works by selected student choreographers. These eagerly-anticipated concerts feature audiences as electric as the performances.

The culminating performances of Dance majors’ journeys through the choreographic process: from creative impulse through auditions, rehearsals, outside eyes, and design decisions, to presenting their choreographic works for the first time on the concert stage.

The Dance Center’s renowned professional Dance alumni and faculty choreograph new works performed by students.