The Chicago Reader picks the Dance Center’s Chicago Solo Spotlight Festival in its Winter season theater preview highlighting “brilliant Chicago-based artists Jenn ‘Po’Chop’ Freeman and Nora Sharp.”
“With wonderful presentations about the tradition and history of rhythm from different experiences, personal understandings, and cultures, I was able to unlock new ideas and grow my previous ideas of what embodying rhythm can mean.” - Sophie Daker
“The exceptional line up of guests offered in depth presentations or physicalized practices for participants to embody.”
“Being presented with perspectives and context I wouldn’t otherwise have on topics that are important to the evolution and roots of dance helped me to expand my personal scope of interest and exploration. “
Recent praise for FLOCK & Artists’ Somewhere Between calls the Dance Center -- “arguably the best venue to see dance in Chicago!”:
Sometimes in duets, and most often as a six-dancer ensemble, Flock’s Somewhere Between continues to mesmerize with seamless transitions. We lose track of time. It’s not unlike the hypnotizing effect of a lava lamp. All is fluid. Transitions are so seamless we only realize they have happened in retrospect….
CHICAGO—The Dance Center of Columbia College Chicago announces their fall programming season, which includes classes, discussion groups, virtual residencies for local artists, and more.
With travel curtailed out of public health concerns, the Dance Center is highlighting Chicago dancers and choreographers with its fall season. Season highlights will include the following production residencies, virtual residencies, and programmatic course offerings…
Chicago-based artist and scholar Lizzie Leopold reflects on Same Planet Performance Project’s recent performance of work by Ivy Baldwin and Joanna Read and how it does or doesn’t resonate with the current political moment. In a continuation of our On the Ground series of reviews, she asks what dance can do.
Our On the Ground series continues with a reflection on Kimberly Bartosik’s I hunger for you. Mary Coyne, a Merce Cunningham scholar, finds connections between this Cunningham’s dancers work and this lineage, but here emotions come to the fore: “Desire hinged on addiction, craving, finally arriving to a place where the beautiful falls into ugliness, sensuality towards violence.”
For a new initiative called On The Ground, the Dance Presenting Series engaged five Chicago-based writers to be present for week-long residencies by companies at the Dance Center. In addition to performances, the writers also attend activities such as community workshops, discussions with students, and master classes. Zachary Whittenburg reflects here on Urban Bush Women’s latest visit to Chicago and the Dance Center, February 25–March 2, 2019.
