It is with deep sadness that we share the news of the passing of our visionary founder, Shirley Mordine, who led the Dance Center from 1969 until 1999.
Red Clay Dance Company is gearing up for its concert series at the Dance Center of Columbia College Chicago and has been featured in New City, on See Chicago Dance, and several TV interviews - including WGN 9’s Midday Fix, Fox 32, and Chicago’s ABC 7.
Red Clay Dance Company’s upcoming program pairs two works created in collaboration with the dancers: Bebe Miller’s Field: New Ground and Vershawn Sanders-Ward’s Written on the Flesh. Asked about how it has been for the company to work with Bebe, for Vershawn it’s something of a full circle moment: “I’m still in awe. I don’t want to get all sentimental – it just reminds me of the specialness of the Dance Center.” Read about the two works and the collaboration between these two artists.
The Chicago Reader picks the Dance Center’s Chicago Solo Spotlight Festival in its Winter season theater preview highlighting “brilliant Chicago-based artists Jenn ‘Po’Chop’ Freeman and Nora Sharp.”
See Chicago Dance’s Megan Kudla reviews our recent Chicago Artist Spotlight Festival second weekend of performances: “Every piece was carefully crafted and packed a punch, and the performers masterfully navigated the worlds created. The artistic output of Kilmurray & Brody, Howard and Swilley were meaningful and exciting, setting a high standard for what performance art can be and say about process, product and the relationships that are essential to them.”
A canopy of pink blossoming trees showers petals on the audience as we sail down the path, pulled along by a current of wind and sound. Slow and easy, like swirling air, four figures float through the grove, reverently laying hands upon the bark and grass. They caress the breeze and mimic the shapes of the branches and trunks. Ayako Kato—kinetic philosopher, poet and choreographer—pauses to hang from one branch, arm hooked delicately and body unfolding toward the sky. The crowd is hushed. See Chicago Dance reviews Ayako Kato’s ETHOS IV: Degrowth/Cycle/Rebirth.
Sharon Hoyer of New City Stage interviews our Artistic Director Meredith Sutton: “The Dance Center at Columbia College Chicago is a semi-hidden gem just off the path of big-name performance venues in the Loop…Some of the most memorable performances I’ve seen in my near twenty years of covering dance in Chicago have taken place on the Dance Center stage. Experimental work, student and faculty showcases, nationally and internationally revered artists have all rarified the Dance Center’s air for half a century.”
The Dance Center of Columbia College presents the first Chicago Artist Spotlight Festival, featuring works by distinguished Chicago dancemakers Ayako Kato, J’Sun Howard, SJ Swilley, and Erin Kilmurray and Kara Brody in works that expand the footprint of performance beyond the stage.
It’s LaTasha Barnes’ “The Jazz Continuum,” a communal celebration of Black American dance and music running March 7-9 at the Dance Center of Columbia College Chicago. Timelines collide as different eras of jazz dance and adjacent forms—tap dance, footwork, popping, break dance, line dance and more—blend together in a seamless juxtaposition of styles.
In the audio series portion of “The 1619 Project,” New York Times cultural critic Wesley Morris says that when he hears American pop music—jazz, R&B, soul, funk, disco, even yacht rock—he hears Blackness. Likewise (and inseparably) is American social Black dance, emerging and evolving alongside these genres: bodies unstoppably moved by syncopation and harmony, shot through with ripples of delight only a perfectly landed improvisation can provide. But improvisation lives in the new. And as Black artists push forms and culture forward, older styles can get left behind….
