Dance Center Artistic Director Meredith Sutton sat down with Ayodele Drum and Dance Founding Executive/Artistic Director and Columbia faculty member T. Ayo Alston to talk about BEAUTY AND THE BEAT: MASKED as part of Season 52.
Timothy Tsang (BA, Dance 2017) returns to the Dance Center to present a workshop on his current research into Leslie Cheung, the Hong Kong pop icon whose concerts and films have become central to queer cultural memory as part of our Fall 2025 symposium. Here, Timothy reflects on What is Contemporary?
Raynner Garcia (BFA, Musical Theatre ‘26) shares his experience of the National Association for American African Dance Teacher’s annual dance intensive NANIGO 2025 in this reflection. “Just a block from the Dance Center of Columbia College Chicago, the Autin Lo’Ren Studio was full of warmth and rhythm the moment we stepped in. You could feel the energy pulsing before any music played; it was a community in motion. As someone with limited experience in Umfundalai, I came with a few nerves, but the generosity of the community quickly washed those away. That is the essence of Umfundalai. More than a technique, t’s a philosophy rooted in Diasporic movement traditions, ancestral connection, and the beauty of the African body.”
Corey Smith and Rachel Lindsay reflect on the March 2025 premiere of Nora Sharp’s COSMIC DOCKS at the Chicago Solo Spotlight Festival for Sixty Inches from Center: “Cosmic Docks is one part standup special, one part loop-pedal-karaoke, one part dance-with-an-uppercase ‘D.’”
Corey Smith and Rachel Lindsay reflect on the March 2025 premiere of THICK: a crumbling freak show by Jenn Freeman | Po’Chop at the Chicago Solo Spotlight Festival for Sixty Inches from Center: “The [performance] is a tour de force of Freeman | Po’Chop’s chops.”
Our On the Ground series continues with a reflection on Kimberly Bartosik’s I hunger for you. Mary Coyne, a Merce Cunningham scholar, finds connections between this Cunningham’s dancers work and this lineage, but here emotions come to the fore: “Desire hinged on addiction, craving, finally arriving to a place where the beautiful falls into ugliness, sensuality towards violence.”
For a new initiative called On The Ground, the Dance Presenting Series engaged five Chicago-based writers to be present for week-long residencies by companies at the Dance Center. In addition to performances, the writers also attend activities such as community workshops, discussions with students, and master classes. Zachary Whittenburg reflects here on Urban Bush Women’s latest visit to Chicago and the Dance Center, February 25–March 2, 2019.
For Spectrum Dance Theater’s dancers, each isolated movement and phrase is fully inhabited, demonstrating a respect for the authenticity of all dance forms as well as a rabid curiosity for what happens when they’re all collapsed in on each other, when one category interrupts another. Chicago and New York-based dancer and writer Maddie Kodat reflects on Spectrum’s recent engagement in Chicago.
