A canopy of pink blossoming trees showers petals on the audience as we sail down the path, pulled along by a current of wind and sound. Slow and easy, like swirling air, four figures float through the grove, reverently laying hands upon the bark and grass. They caress the breeze and mimic the shapes of the branches and trunks. Ayako Kato—kinetic philosopher, poet and choreographer—pauses to hang from one branch, arm hooked delicately and body unfolding toward the sky. The crowd is hushed. See Chicago Dance reviews Ayako Kato’s ETHOS IV: Degrowth/Cycle/Rebirth.
In January/February 2024, dance artist SJ Swilley held a production residency at the Dance Center of Columbia College supported by Chicago Dancemakers Forum. They invited collaborators Mawu Ama Ma'at Gora and Graciella Ye'Tsunami to help shape their work, Aaliyah Christina as an embedded writer, and Jovan Landry as the photographer to document some of the process. The resulting piece was part of the Chicago Artist Spotlight Festival in April 2024.
Sharon Hoyer of New City Stage interviews our Artistic Director Meredith Sutton: “The Dance Center at Columbia College Chicago is a semi-hidden gem just off the path of big-name performance venues in the Loop…Some of the most memorable performances I’ve seen in my near twenty years of covering dance in Chicago have taken place on the Dance Center stage. Experimental work, student and faculty showcases, nationally and internationally revered artists have all rarified the Dance Center’s air for half a century.”
The Dance Center of Columbia College presents the first Chicago Artist Spotlight Festival, featuring works by distinguished Chicago dancemakers Ayako Kato, J’Sun Howard, SJ Swilley, and Erin Kilmurray and Kara Brody in works that expand the footprint of performance beyond the stage.
It’s LaTasha Barnes’ “The Jazz Continuum,” a communal celebration of Black American dance and music running March 7-9 at the Dance Center of Columbia College Chicago. Timelines collide as different eras of jazz dance and adjacent forms—tap dance, footwork, popping, break dance, line dance and more—blend together in a seamless juxtaposition of styles.
The Dance Center’s Dance Buffet wrapped up last week and I want to celebrate and thank everyone who helped make it possible. Between mid-September and mid-November 2020, we presented 37 live events, ranging from discussion groups to improvisation workshops to technique classes. These were small-scale events, intentionally designed to preserve as many aspects of liveness and presence as possible…
