“The exceptional line up of guests offered in depth presentations or physicalized practices for participants to embody.”
“Being presented with perspectives and context I wouldn’t otherwise have on topics that are important to the evolution and roots of dance helped me to expand my personal scope of interest and exploration. “
“…fall is afoot, and so are some of the most exciting live performances of the year…” Chicago Reader critics select a few promising performances for the months ahead including Mythili Prakash’s She’s Auspicious
Newcity's Sharon Hoyer interviews Mythili Prakash: "How are powerful women celebrated? Who defines what that power should look like? These are just a couple of the many questions Mythili Prakash explores in her evening-length dance “She’s Auspicious”...
See Chicago Dance’s Megan Kudla reviews our recent Chicago Artist Spotlight Festival second weekend of performances: “Every piece was carefully crafted and packed a punch, and the performers masterfully navigated the worlds created. The artistic output of Kilmurray & Brody, Howard and Swilley were meaningful and exciting, setting a high standard for what performance art can be and say about process, product and the relationships that are essential to them.”
It’s LaTasha Barnes’ “The Jazz Continuum,” a communal celebration of Black American dance and music running March 7-9 at the Dance Center of Columbia College Chicago. Timelines collide as different eras of jazz dance and adjacent forms—tap dance, footwork, popping, break dance, line dance and more—blend together in a seamless juxtaposition of styles.
The Dance Center of Columbia College Chicago announces its 2022 Fall Season, which includes two performance series—Elevate Dance Chicago and B-Series B-All-Access: Celebrating Accessibility and Inclusion in Hip-Hop and Street Dance Culture featuring guest artist Bill Shannon. “At the Dance Center, we are honored to be able to hold the space for this work to take place, and for the coming together of community in celebration of the dancing body,” says Lisa Gonzales, Associate Professor and Chair of Dance at Columbia.
