See Chicago Dance’s Megan Kudla reviews our recent Chicago Artist Spotlight Festival second weekend of performances: “Every piece was carefully crafted and packed a punch, and the performers masterfully navigated the worlds created. The artistic output of Kilmurray & Brody, Howard and Swilley were meaningful and exciting, setting a high standard for what performance art can be and say about process, product and the relationships that are essential to them.”
A canopy of pink blossoming trees showers petals on the audience as we sail down the path, pulled along by a current of wind and sound. Slow and easy, like swirling air, four figures float through the grove, reverently laying hands upon the bark and grass. They caress the breeze and mimic the shapes of the branches and trunks. Ayako Kato—kinetic philosopher, poet and choreographer—pauses to hang from one branch, arm hooked delicately and body unfolding toward the sky. The crowd is hushed. See Chicago Dance reviews Ayako Kato’s ETHOS IV: Degrowth/Cycle/Rebirth.
In January/February 2024, dance artist SJ Swilley held a production residency at the Dance Center of Columbia College supported by Chicago Dancemakers Forum. They invited collaborators Mawu Ama Ma'at Gora and Graciella Ye'Tsunami to help shape their work, Aaliyah Christina as an embedded writer, and Jovan Landry as the photographer to document some of the process. The resulting piece was part of the Chicago Artist Spotlight Festival in April 2024.
Sharon Hoyer of New City Stage interviews our Artistic Director Meredith Sutton: “The Dance Center at Columbia College Chicago is a semi-hidden gem just off the path of big-name performance venues in the Loop…Some of the most memorable performances I’ve seen in my near twenty years of covering dance in Chicago have taken place on the Dance Center stage. Experimental work, student and faculty showcases, nationally and internationally revered artists have all rarified the Dance Center’s air for half a century.”
The Dance Center of Columbia College presents the first Chicago Artist Spotlight Festival, featuring works by distinguished Chicago dancemakers Ayako Kato, J’Sun Howard, SJ Swilley, and Erin Kilmurray and Kara Brody in works that expand the footprint of performance beyond the stage.
Our On the Ground series continues with a reflection on Kimberly Bartosik’s I hunger for you. Mary Coyne, a Merce Cunningham scholar, finds connections between this Cunningham’s dancers work and this lineage, but here emotions come to the fore: “Desire hinged on addiction, craving, finally arriving to a place where the beautiful falls into ugliness, sensuality towards violence.”
For a new initiative called On The Ground, the Dance Presenting Series engaged five Chicago-based writers to be present for week-long residencies by companies at the Dance Center. In addition to performances, the writers also attend activities such as community workshops, discussions with students, and master classes. Zachary Whittenburg reflects here on Urban Bush Women’s latest visit to Chicago and the Dance Center, February 25–March 2, 2019.
For Spectrum Dance Theater’s dancers, each isolated movement and phrase is fully inhabited, demonstrating a respect for the authenticity of all dance forms as well as a rabid curiosity for what happens when they’re all collapsed in on each other, when one category interrupts another. Chicago and New York-based dancer and writer Maddie Kodat reflects on Spectrum’s recent engagement in Chicago.
“Think in a different way.” This is the first of many instructional Tere O’Connor quotes you will find in the response below. O’Connor is widely respected as one of the most articulate, sharp, and inquisitive choreographers working in the field today. While most dance makers (myself included) struggle to adequately describe their creative process and conceptual understandings of the form—Dance— in a way that doesn’t diminish the vast spectrum of its nature (if I may use a term that implies such universality), O’Connor is brilliant at it…
Joanna Furnans follows Tere O’Connor Dance through their residency at the Dance Center, sharing her reflections on it all with us.
In a new initiative called On The Ground, the Dance Presenting Series engaged five Chicago-based dance writers to be present for the week-long residencies that happen at the Dance Center. To start this series, Columbia College Chicago alum Brianna Heath participated in the activities during Ephrat Asherie Dance’s residency, October 15-20, 2019.
