Timothy Tsang (BA, Dance 2017) returns to the Dance Center to present a workshop on his current research into Leslie Cheung, the Hong Kong pop icon whose concerts and films have become central to queer cultural memory as part of our Fall 2025 symposium. Here, Timothy reflects on What is Contemporary?
Raynner Garcia (BFA, Musical Theatre ‘26) shares his experience of the National Association for American African Dance Teacher’s annual dance intensive NANIGO 2025 in this reflection. “Just a block from the Dance Center of Columbia College Chicago, the Autin Lo’Ren Studio was full of warmth and rhythm the moment we stepped in. You could feel the energy pulsing before any music played; it was a community in motion. As someone with limited experience in Umfundalai, I came with a few nerves, but the generosity of the community quickly washed those away. That is the essence of Umfundalai. More than a technique, t’s a philosophy rooted in Diasporic movement traditions, ancestral connection, and the beauty of the African body.”
Corey Smith and Rachel Lindsay reflect on the March 2025 premiere of Nora Sharp’s COSMIC DOCKS at the Chicago Solo Spotlight Festival for Sixty Inches from Center: “Cosmic Docks is one part standup special, one part loop-pedal-karaoke, one part dance-with-an-uppercase ‘D.’”
Corey Smith and Rachel Lindsay reflect on the March 2025 premiere of THICK: a crumbling freak show by Jenn Freeman | Po’Chop at the Chicago Solo Spotlight Festival for Sixty Inches from Center: “The [performance] is a tour de force of Freeman | Po’Chop’s chops.”
Timothy Tsang (BA, Dance 2017) returns to the Dance Center to present a workshop on his current research into Leslie Cheung, the Hong Kong pop icon whose concerts and films have become central to queer cultural memory as part of our Fall 2025 symposium. Here, Timothy reflects on What is Contemporary?
A canopy of pink blossoming trees showers petals on the audience as we sail down the path, pulled along by a current of wind and sound. Slow and easy, like swirling air, four figures float through the grove, reverently laying hands upon the bark and grass. They caress the breeze and mimic the shapes of the branches and trunks. Ayako Kato—kinetic philosopher, poet and choreographer—pauses to hang from one branch, arm hooked delicately and body unfolding toward the sky. The crowd is hushed. See Chicago Dance reviews Ayako Kato’s ETHOS IV: Degrowth/Cycle/Rebirth.
In January/February 2024, dance artist SJ Swilley held a production residency at the Dance Center of Columbia College supported by Chicago Dancemakers Forum. They invited collaborators Mawu Ama Ma'at Gora and Graciella Ye'Tsunami to help shape their work, Aaliyah Christina as an embedded writer, and Jovan Landry as the photographer to document some of the process. The resulting piece was part of the Chicago Artist Spotlight Festival in April 2024.
