What Is Contemporary? Symposium 2025, hosted by the Dance Center of Columbia College Chicago, explored the idea of ‘contemporary’ and the many meanings it takes on in reference to dance. The conference acknowledged that the word contemporary has a definitive meaning - ‘belonging to or happening now’ – while also recognizing that when paired with the word ‘dance’ (i.e., contemporary dance), takes on vastly different definitions from artist to artist. In this three-day symposium, dancers, academics, and professionals in the dance field contemplated this word contemporary – and in term contemporary dance – to not define it, but to understand what the complexity of the word means for the dance industry. Kaleigh Dent synthesizes some of the conversations and threads that emerged over the course of the symposium and related events.
Meredith Sutton sits down with South Chicago Dance Theatre’s Kia S. Smith to talk about the company's first holiday show.
Sharon Hoyer of New City interviews T. Ayo Alston
Sharon Hoyer of New City interviews T. Ayo Alston about our upcoming presentation of Ayodele Drum & Dance at the Dance Center in “Joy and Sisterhood: Ayodele Drum & Dance Make Their Dance Center of Columbia College Debut.”
T. Ayo Alston, Artistic Director of Ayodele Drum and Dance, in Conversation with our Artistic Director Meredith Sutton
Timothy Tsang: Spiraling Through Contemporary Dance
Timothy Tsang (BA, Dance 2017) returns to the Dance Center to present a workshop on his current research into Leslie Cheung, the Hong Kong pop icon whose concerts and films have become central to queer cultural memory as part of our Fall 2025 symposium. Here, Timothy reflects on What is Contemporary?
NANIGO 2025: Movement, Memory, and Liberation on Juneteenth
Raynner Garcia (BFA, Musical Theatre ‘26) shares his experience of the National Association for American African Dance Teacher’s annual dance intensive NANIGO 2025 in this reflection. “Just a block from the Dance Center of Columbia College Chicago, the Autin Lo’Ren Studio was full of warmth and rhythm the moment we stepped in. You could feel the energy pulsing before any music played; it was a community in motion. As someone with limited experience in Umfundalai, I came with a few nerves, but the generosity of the community quickly washed those away. That is the essence of Umfundalai. More than a technique, t’s a philosophy rooted in Diasporic movement traditions, ancestral connection, and the beauty of the African body.”
Review: Nora Sharp's COSMIC DOCKS on Sixty Inches from Center
Review: Jenn Freeman | Po'Chop's THICK on Sixty Inches from Center
The Chicago Reader Remembers Shirley Mordine
Kerry Reid of the Chicago Reader wrote a remembrance of Shirley Mordine, our founder. Mordine, 89, founded the dance department at Columbia College Chicago and the college’s influential Dance Center. During her 30-year tenure at Columbia, which began in 1969, she instituted the center’s Dance Presenting Series in 1974, which brought contemporary dance artists from around the country to Chicago, often placing them in conversation and collaboration with local talent.









