See Chicago Dance’s Tristan Bruns reviews Michell Haskell’s debut at the Dance Center of Columbia College, Chicago with “Empty Are My Hands,” coming to the conclusion that: “Haskell and dancers pass through creative territory rarely explored (i.e., the synthesis of tap and modern dance) and their solutions to problems noticeable in other tap and modern amalgamations (i.e., how to get on the shoes and what to do with the tap boards) are imaginative and inspired. Haskell is on to something, and ‘Empty Are My Hands’ adds to the canon of tap and modern dance collaborations while finding new ways to innovate within both mediums.”

The Columbia Chronicle’s Nico Waugh covers the recent Chicago Human Rhythm Project’s Rhythm World at the Dance Center. The week-long festival brought together a community of dancers, including audience members with little tap experience.

Sharon Hoyer of New City features the Dance Center’s inclusion in this year’s Physical Theater Festival, an edition with a dance focus. The annual festival brings many performance types under its umbrella.

The Columbia Chronicle, Columbia College Chicago’s student newspaper, featured the recent debut of Cerqua Rivera Dance Theatre along with their special guest a youth dance ensemble from Music House, in a video that captured the performance.

Third Coast Review’s Kathy D. Hey reviews Didę by Compagnie Multicorps, choreographed by Marcel Gbeffa from Benin, with direction and wood masks designed by Sarah Trouche from France.

See Chicago Dance’s Tristan Bruns picks our upcoming presentations of the midwest premiere of Didę by Marcel Gbeffa and Sarah Trouche and our upcoming performances by Cerqua Rivera Dance Theatre coming for the first time to our stage.